Maite Hernández
The aim of this project is to study Cristóbal Balenciaga’s iconic pieces from a sculptural point of view, equating his creations and contributions to the sculptural works of Richard Serra. It is a dialogue between the ephemeral and the permanent, it works among the voids and occupied spaces and it places the lights and shadows in the foreground.
![Maite-Hernandez-1](/default/imagenes/2021/11/7886_en-maite-hernandez-1-Real.jpg)
![Maite-Hernandez-2](/default/imagenes/2021/11/7898_en-maite-hernandez-2-Real.jpg)
![Maite-Hernandez-3](/default/imagenes/2021/11/7896_en-maite-hernandez-3-Real.jpg)
![Maite-Hernandez-4](/default/imagenes/2021/11/7888_en-maite-hernandez-4-Real.jpg)
![Maite-Hernandez-5](/default/imagenes/2021/11/7890_en-maite-hernandez-5-Real.jpg)
Richard Serra
"I used Richard Serra's Verb-list, in which the different actions that hands can produce on a sheet are listed, as inspiration and rewrote it to show the movements a hand on a fabric can make. All the actions that can be made on a piece of fabric that help me to create a pattern, and on which the front and back on a unique pattern piece are created. The side is the consequence of folding the fabric instead of cutting it. In this way, I delve into the methodology of Balenciaga, hiding the stitching and the cut. The result of this technique is the consolidation of a unique piece and the creation of a new shape".
![Maite-Hernandez-6](/default/imagenes/2021/11/7876_en-maite-hernandez-6-Real.jpg)
![Maite-Hernandez-7](/default/imagenes/2021/11/7878_en-maite-hernandez-7-Real.jpg)
![Maite-Hernandez-8](/default/imagenes/2021/11/7880_en-maite-hernandez-8-Real.jpg)